Limbourg brothers (Pol, Hennequin, Herman), January, from Les Très Riches Heures du Duc de Berry, 1413–1416. Ink on vellum, approx. 8 1/2" x 5 1/2". Musée Condé, Chantilly. 

LIMBOURG BROTHERS (POL, HENNEQUIN, HERMAN), October, from Les Très Riches Heures du Duc de Berry, 1413–1416. Ink on vellum, approx. 8 1/2” x 5 1/2”. Musée Condé, Chantilly.

CLAUS SLUTER, Well of Moses, Chartreuse de Champmol, Dijon, France, 1395–1406. Limestone with traces of paint, figures approx. 6’ high.

ROBERT CAMPIN (Master of Flémalle), Mérode Altarpiece, The Annunciation (center panel), ca. 1425–1428. Oil on wood, center panel approx. 2’ 1” x 2’ 1”. Metropolitan Museum of Art, New York (The Cloisters Collection, 1956).

Jan van Eyck, The Annunciation, c. 1434-36. Oil on canvas, transferred from wood panel. National Gallery of Art, Washington DC

JAN VAN EYCK, Giovanni Arnolfini and His Bride, 1434. Oil on wood, approx. 2’ 8" x 1’ 11 1/2". National Gallery, London. 

ROGIER VAN DER WEYDEN, Last Judgment Altarpiece (open), Hôtel-Dieu, Beaune, France, ca. 1444–1448. Panel, 7’ 4 5/8” x 17’ 11”. Musée de l’Hôtel-Dieu, Beaune.

PETRUS CHRISTUS, A Goldsmith in His Shop, Possibly Saint Eligius, 1449. Oil on wood, approx. 3’ 3" x 2’ 10". Metropolitan Museum of Art, New York (the Robert Lehman Collection, 1975).

The Unicorn in Captivity From the Hunt of the Unicorn, tapestry series, c. 1495-1505Wool, silk and silver and gilt wrapped thread. Woven in Flanders. Metropolitan Museum (Cloisters)

HIERONYMUS BOSCH, Garden of Earthly Delights. Creation of Eve (left wing), Garden of Earthly Delights (central panel), Hell (right wing), 1505–1510. Oil on wood, center panel 7’ 2 5/8" x 6’ 4 3/4". Museo del Prado, Madrid.

FILIPPO BRUNELLESCHI, dome of Florence Cathedral (view from the south), Florence, Italy, 1420–1436.

Cutaway view of dome of Florence Cathedral (after P. Sanpaolesi).

Filippo Brunelleschi, Foundling Hospital, Florence, Italy. Designed 1419; built 1421-44.

FILIPPO BRUNELLESCHI, interior of Santo Spirito (view facing northeast), Florence, Italy, begun ca. 1436.

FILIPPO BRUNELLESCHI, early plan of Santo Spirito (left) and plan as constructed (right), Florence, Italy.

MICHELOZZO DI BARTOLOMMEO, facade of the Palazzo Medici-Riccardi, Florence, Italy, begun 1445.

MICHELOZZO DI BARTOLOMMEO, interior court of the Palazzo Medici-Riccardi, Detail of arches in the cortile (medallions by Bertoldo).

FILIPPO BRUNELLESCHI, facade of the Pazzi Chapel, Santa Croce, Florence, Italy, begun ca. 1440.

FILIPPO BRUNELLESCHI, plan of the Pazzi Chapel, Santa Croce, Florence, Italy.

FILIPPO BRUNELLESCHI, interior of the Pazzi Chapel (view facing northeast), Santa Croce, Florence, Italy, begun ca. 1440.

Leon Battista Alberti, Palazzo Rucellai, Florence.

Leon Battista Alberti, Church of Sant’Andrea, Mantua. Designed 1470.

Interior, Church of Sant’Andrea, Mantua

LORENZO GHIBERTI, east doors (“Gates of Paradise”), baptistery, Florence Cathedral, Florence, Italy, 1425–1452. Gilded bronze relief, approx. 17’ high. Modern copy, ca. 1980. Original panels in Museo dell’Opera del Duomo, Florence.

detail of above

Studiolo from the Ducal Palace in Gubbio, 15th century (ca. 1479-82). Designed by Francesco di Giorgio Martini, Made in Gubbio, Italy,
The Metropolitan Museum of Art. www.metmuseum.org/explore/studiolo/studiolo_hmpg.html

NANNI DI BANCO, Four Crowned Saints, Or San Michele, Florence, Italy, ca. 1408–1414. Marble, figures approx. life-size. Modern copy in exterior niche. Original sculpture in museum on second floor of Or San Michele. 

DONATELLO, David, late 1420s – late 1450s. Bronze, 5’ 2 1/4” high. Museo Nazionale del Bargello, Florence.

Donatallo, Mary Magdalen, 1430s-50s?Polychromy and gold on wood. Height: 6’1”. Museo dell’Opera del Duomo, Florence

ANDREA DEL VERROCCHIO, David, ca. 1465–1470. Bronze, approx. 4’ 1 1/2” high. Museo Nazionale del Bargello, Florence.

DONATELLO, Gattamelata (equestrian statue of Erasmo da Narni), Piazza del Santo, Padua, Italy, ca. 1445–1450. Bronze, approx. 11’ x 13’.

ANDREA DEL VERROCCHIO, Bartolommeo Colleoni (equestrian statue), Campo dei Santi Giovanni e Paolo, Venice, Italy, ca. 1483–1488. Bronze, approx. 13’ high.

ANTONIO POLLAIUOLO, Hercules and Antaeus, ca. 1475. Bronze, approx. 1' 6” high with base. Museo Nazionale del Bargello, Florence.

LUCA DELLA ROBBIA, Madonna and Child, Or San Michele, Florence, Italy, ca. 1455–1460. Terracotta with polychrome glaze, diameter approx. 6’.

GENTILE DA FABRIANO, Adoration of the Magi, altarpiece from Santa Trinità, Florence, Italy, 1423. Tempera on wood, approx. 9’ 11” x 9’ 3”. Galleria degli Uffizi, Florence.

MASACCIO, Holy Trinity, Santa Maria Novella, Florence, Italy, ca. 1428. Fresco, 21’ x 10’ 5”.

MASACCIO, Tribute Money, Brancacci Chapel, Santa Maria del Carmine, Florence, Italy, ca. 1427. Fresco, 8’ 1” x 19’ 7”.

MASACCIO, Expulsion of Adam and Eve from Eden, Brancacci Chapel, Santa Maria del Carmine, Florence, Italy, ca. 1425. Fresco, 7’ x 2’ 11”.

FRA ANGELICO, Annunciation, San Marco, Florence, Italy, ca. 1440–1445. Fresco, 7’ 1” x 10’ 6”.

ANDREA DEL CASTAGNO, Last Supper, the Refectory, monastery of Sant’Apollonia, Florence, Italy, 1447. Fresco, approx. 15’ x 32’

FRA FILIPPO LIPPI, Madonna and Child with Angels, ca. 1455. Tempera on wood, approx. 3’ x 2’ 1”. Galleria degli Uffizi, Florence.

Andrea Mantegna, interior of the Camera degli Sposi (Room of the Newlyweds), Palazzo Ducale,Mantua, Italy, 1474. Fresco.

Andrea Mantegna, ceiling of the Camera degli Sposi (Room of the Newlyweds), Palazzo Ducale,Mantua, Italy, 1474. Fresco, 8’ 9” in diameter.

PERUGINO, Christ Delivering the Keys of the Kingdom to Saint Peter, Sistine Chapel, Vatican, Rome, Italy, 1481–1483. Fresco, 11’ 5 1/2” x 18’ 8 1/2”.

SANDRO BOTTICELLI, Birth of Venus, ca. 1482. Tempera on canvas, approx. 5’ 8” x 9’ 1”. Galleria degli Uffizi, Florence.

Piero della Francesca, Battista Sforza (left) and Frederico da Montefeltro (right). 1474. Oil on wood panel. Each approx. 18x13. Galleria degli Uffizi, Florence.

Piero della Francesca, Finding of the True Cross and Proving of the True Cross. San Francesco, Arezzo, Italy. Ca. 1455 Fresco, 6’4”x11’8”.

ANDREA MANTEGNA, Dead Christ, ca. 1501. Tempera on canvas, 2’ 2 3/4” x 2’ 7 7/8”. Pinacoteca di Brera, Milan.

LUCA SIGNORELLI, Damned Cast into Hell, San Brizio Chapel, Orvieto Cathedral, Orvieto, Italy, 1499–1504. Fresco, approx. 23’ wide.