AP Art History Slide Identification List
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(art of the 18th and early 19th c. in Europe and N. America)

Slide #

18th Century European and American Art

  French Rococco
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GERMAIN BOFFRAND, Salon de la Princesse, with painting by CHARLES-JOSEPH NATOIRE and sculpture by J. B. LEMOINE, Hôtel de Soubise, Paris, France, 1737–1740.
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Johann Balthasar Neumann. Church of the Vierzehnheiligen, near Staffeslstein, Germany, 1743-72.
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ANTOINE WATTEAU, Return from Cythera, 1717–1719. Oil on canvas, approx. 4’ 3” x 6’ 4”. Louvre, Paris.
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Jean-Antoine Watteau. The Signboard of Gersaint. C. 1721. Oil on canvas. 5’4” x 10’ 1”. Stiftung Preussische Schlössen und Gärten Berlin-Brandenburg.
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François Boucher. Diana Leaving Her Bath. 1742, Louvre
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JEAN-HONORÉ FRAGONARD, The Swing, 1766. Oil on canvas, approx. 2’ 11” x 2’ 8”. The Wallace Collection, London.
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CLODION, Nymph and Satyr, ca. 1775. Terracotta, approx. 1’ 11” high. Metropolitan Museum of Art, New York (bequest of Benjamin Altman, 1913).
  Art of the Enlightenment in England and France
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JOSEPH WRIGHT OF DERBY, A Philosopher Giving a Lecture at the Orrery (in which a lamp is put in place of the sun), ca. 1763–1765. Oil on canvas, 4’ 10” x 6’ 8”. Derby Museums and Art Gallery, Derby, Derbyshire.
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JEAN-BAPTISTE GREUZE, The Village Bride, 1761. Oil on canvas, 3’ x 3’ 10 1/2”. Louvre, Paris.
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JEAN-BAPTISTE-SIMÉON CHARDIN, Grace at Table, 1740. Oil on canvas, 1’ 7” x 1’ 3”. Louvre, Paris.
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ÉLISABETH LOUISE VIGÉE-LEBRUN, Self-Portrait, 1790. Oil on canvas, 8’ 4” x 6’ 9”. Galleria degli Uffizi, Florence.
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William Hogarth. The Marriage Contract, from Marriage à la Mode, 1743-45. Oil on canvas. 35 3/4 x 27 1/2 in. The National Gallery, London.
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WILLIAM HOGARTH, Breakfast Scene, from Marriage à la Mode, ca. 1745. Oil on canvas, approx. 2’ 4” x 3’. National Gallery, London.
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THOMAS GAINSBOROUGH, Mrs. Richard Brinsley Sheridan, 1787. Oil on canvas, approx. 7’ 2 5/8” x 5’ 5/8”. National Gallery of Art, Washington (Andrew W. Mellon Collection).
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Joshua Reynolds. Lady Sarah Bunbury Sacrificing to the Graces. 1765. Oil on canvas. 7’ 10” x 5’. The Art Institute of Chicago.
  Art of the "Grand Tour"
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Canaletto, Santi Giovanni e Paolo and the Scuola di San Marco. c. 1725 Oil on canvas, 125 x 165 cm. Gemaldegalerie, Dresden
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ANTONIO CANALETTO, Basin of San Marco from San Giorgio Maggiore, ca. 1740. Oil on canvas. The Wallace Collection, London.
  Neoclassicism in Rome
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ANTONIO CANOVA, Pauline Borghese as Venus, 1808. Marble, life-size. Galleria Borghese, Rome.
  Neoclassicism in Britain
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ANGELICA KAUFFMANN, Cornelia Presenting Her Children as Her Treasures, or Mother of the Gracchi, ca. 1785. Oil on canvas, 3’ 4” x 4’ 2”. Virginia Museum of Fine Arts, Richmond (the Adolph D. and Wilkins C. Williams Fund).
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RICHARD BOYLE (earl of Burlington) and WILLIAM KENT, Chiswick House, near London, England, begun 1725. British Crown Copyright.
  Neoclassicism in France
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JACQUES-LOUIS DAVID, Oath of the Horatii, 1784. Oil on canvas, approx. 11’ x 14’. Louvre, Paris
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JACQUES-LOUIS DAVID, The Death of Marat, 1793. Oil on canvas, approx. 5’ 3” x 4’ 1”. Musées Royaux des Beaux-Arts de Belgique, Brussels.
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JACQUES-LOUIS DAVID, The Coronation of Napoleon, 1805–1808. Oil on canvas, 20’ 4 1/2” x 32’ 1 3/4”. Louvre, Paris.
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JACQUES-GERMAIN SOUFFLOT, the Panthéon (Sainte-Geneviève), Paris, France, 1755–1792.
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PIERRE VIGNON, La Madeleine, Paris, France, 1807–1842
 
Neoclassicism in the United States
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THOMAS JEFFERSON, Monticello, Charlottesville, United States, 1770–1806.

Take a virtual tour of Monticello

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BENJAMIN WEST, The Death of General Wolfe, 1771. Oil on canvas, approx. 5’ x 7’ National Gallery of Canada, Ottawa (gift of the Duke of Westminster, 1918).
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JOHN SINGLETON COPLEY, Portrait of Paul Revere, ca. 1768–1770. Oil on canvas, 2’ 11 1/8” x 2’ 4”. Museum of Fine Arts, Boston (gift of Joseph W., William B., and Edward H. R. Revere).
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John Singleton Copley, Samuel Adams, c. 1770-72, oil on canvas, 50x40” Museum of Fine Arts, Boston.
NeoClassRom 30 John Singleton Copley, Watson and the Shark, 1778. National Gallery of Art.
  From Neoclassicism to Romanticism
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JACQUES-LOUIS DAVID, Napolean Crossing the Saint-Bernard, 1800-01. Oil on canvas. 8’ 11” x 7’ 7”. Musee National du Chateau de la Malmaison, Rueil-Malmaison.
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ANTOINE-JEAN GROS, Napoleon at the Plague House at Jaffa, 1804. Oil on canvas, approx. 17’ 5” x 23’ 7”. Louvre, Paris.
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JEAN-AUGUSTE-DOMINIQUE INGRES, Large Odalisque, 1814. Oil on canvas. Approx 35 x 64”. Louvre, Paris.
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JEAN-AUGUSTE-DOMINIQUE INGRES, Apotheosis of Homer, 1827. Oil on canvas, approx. 12’ 8” x 16’ 10 3/4”. Louvre, Paris.
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JEAN-AUGUSTE-DOMINIQUE INGRES. Princesse de Broglie, 1851-1853 Oil on canvas; 47 3/4 x 35 3/4 in. Metropolitan Museum of Art, New York.
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THÉODORE GÉRICAULT, Raft of the Medusa, 1818–1819. Oil on canvas, approx. 16’ x 23’. Louvre, Paris.
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THÉODORE GÉRICAULT, Insane Woman (Envy), 1822–1823. Oil on canvas, approx. 2’ 4” x 1’ 9”. Musée des Beaux-Arts, Lyon.
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Eugène Delacroix, Scenes from the Massacres at Chios, 1822-24. Oil on canvas, 13’10” x 11’7”. Louvre, Paris.
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EUGÈNE DELACROIX, Death of Sardanapalus, 1826. Oil on canvas, approx. 12’ 1” x 16’ 3”. Louvre, Paris.
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EUGÈNE DELACROIX, Liberty Leading the People, 1830. Oil on canvas, approx. 8’ 6” x 10’ 8”. Louvre, Paris
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EUGÈNE DELACROIX, Women of Aligers, 1834. Oil on canvas, approx. 8’ 10” x 7’6”. Louvre, Paris
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FRANÇOIS RUDE, La Marseillaise, Arc de Triomphe, Paris, France, 1833–1836. Approx. 42’ x 26’.
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FRANCISCO GOYA, The Family of Charles IV, 1800. Oil on canvas, approx. 9’ 2” x 11’. Museo del Prado, Madrid.
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FRANCISCO GOYA, The Sleep of Reason Produces Monsters, from Los Caprichos, ca. 1798. Etching and aquatint, 8 1/2” x 6”. Metropolitan Museum of Art, New York (gift of M. Knoedler & Co., 1918).
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FRANCISCO GOYA, The Third of May 1808, 1814. Oil on canvas, approx. 8’ 8” x 11’ 3”. Museo del Prado, Madrid.
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FRANCISCO GOYA, Saturn Devouring One of His Children, 1819–1823. Detail of a detached fresco on canvas, full size approx. 4’ 9” x 2’ 8”. Museo del Prado, Madrid.
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CASPAR DAVID FRIEDRICH. Wanderer Above a Sea of Mist, c. 1818. Oil on canvas. 37 3/4 x 29 3/8”. Kunsthalle, Hamburg, Germany
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JOSEPH MALLORD WILLIAM TURNER, The Fighting “Téméraire,” Tugged to Her Last Berth to be Broken Up. 1838, oil on canvas, 35 1/4 x 48”. The National Gallery, London.
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JOSEPH MALLORD WILLIAM TURNER, The Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On), 1840. Oil on canvas, 2’ 11 11/16” x 4’ 5/16”. Museum of Fine Arts, Boston (Henry Lillie Pierce Fund).
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John Constable, The White Horse. 1819, oil on canvas, 4’ 3 3/4” x 6’ 2 1/8”, The Frick Collection, New York.
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JOHN CONSTABLE, The Haywain, 1821. Oil on canvas, 4’ 3” x 6’ 2”. National Gallery, London.
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THOMAS COLE, The Oxbow (View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm), 1836. Oil on canvas, 4’ 3 1/2” x 6’ 4”. Metropolitan Museum of Art, New York (gift of Mrs. Russell Sage, 1908).