André Derain, Bridge Over Riou, 1906, Oil on canvas, The Museum of Modern Art

Henri Matisse, The Red Studio, fall 1911. Oil on canvas, 71 1/4" x 7' 2 1/4”, The Museum of Modern Art, New York

Henri Matisse, Le Bonheur de Vivre (The Joy of Life), 1905-06. Oil on canvas, 5’ 8” x 7’ 9”, The Barnes Foundation, Merion PA

ERNST LUDWIG KIRCHNER, Street, Dresden, 1908 (dated 1907). Oil on canvas, 4’ 11 1/4” x 6’ 6 7/8”. Museum of Modern Art, New York (purchase).

VASSILY KANDINSKY, Improvisation 28 (second version), 1912. Oil on canvas, 3’ 7 7/8” x 5’ 3 7/8”. Solomon R. Guggenheim Museum, New York (gift of Solomon R. Guggenheim, 1937).

Vasily Kandinsky, Panel for Edwin R. Campbell, No. 3, 1914, oil on canvas, The Museum of Modern Art, NY

FRANZ MARC, Fate of the Animals, 1913. Oil on canvas, 6’ 4 3/4” x 8’ 9 1/2”. Kunstmuseum, Basel.

PABLO PICASSO, Gertrude Stein, 1906–1907. Oil on canvas, 3’ 3 3/8” x 2’ 8”. Metropolitan Museum of Art, New York (bequest of Gertrude Stein, 1947).

PABLO PICASSO, Les Demoiselles d’Avignon, June–July 1907. Oil on canvas, 8’ x 7’ 8”. Museum of Modern Art, New York

GEORGES BRAQUE, The Portuguese, 1911. Oil on canvas, 3’ 10 1/8” x 2’ 8”. Öffentliche Kunstsammlung Basel, Kunstmuseum, Basel (gift of Raoul La Roche, 1952).

PABLO PICASSO , Ma Jolie, 1911-12, oil on canvas, 29 x 25”, the Museum of Modern Art

ROBERT DELAUNAY, Champs de Mars or The Red Tower, 1911. Oil on canvas, 5’ 3” x 4’ 3”. Art Institute of Chicago, Chicago

PABLO PICASSO, Still Life with Chair-Caning, 1912. Oil and oilcloth on canvas, 10 5/8” x 1’ 1 3/4”. Musée Picasso, Paris.

GEORGES BRAQUE, Bottle, Newspaper, Pipe and Glass, 1913. Charcoal and various papers pasted on paper, 1’ 6 7/8” x 2’ 1 1/4”. Private collection, New York.

PABLO PICASSO, Maquette for Guitar, 1912. Cardboard, string, and wire (restored), 25 1/4” x 13” x 7 1/2”. Museum of Modern Art, New York.

PABLO PICASSO . Three Musicians. 1921, Oil on canvas, 6' 7" x 7' 3 3/4" The Museum of Modern Art, New York.

JACQUES LIPCHITZ, Bather, 1917. Bronze, 2’ 10 3/4” x 1’ 1 1/4” x 1’ 1”. Nelson-Atkins Museum of Art, Kansas City (gift of the Friends of Art).

FERNAND LÉGER, The City, 1919. Oil on canvas, approx. 7’ 7” x 9’ 9 1/2”. Philadelphia Museum of Art, Philadelphia (A. E. Gallatin Collection).

UMBERTO BOCCIONI. States of Mind: the Farewells, 1911, Oil on canvas. 27 7/8" x 37 7/8”, The Museum of Modern Art, New York.

GIACOMO BALLA, Dynamism of a Dog on a Leash, 1912. Oil on canvas, 2’ 11 3/8” x 3’ 7 1/4”. Albright-Knox Art Gallery, Buffalo, New York (bequest of A. Conger Goodyear, gift of George F. Goodyear, 1964).

UMBERTO BOCCIONI, Unique Forms of Continuity in Space, 1913 (cast 1931). Bronze, 3’ 7 7/8” high x 2’ 10 7/8” x 1’ 3 3/4”. Museum of Modern Art, New York (acquired through the Lillie P. Bliss Bequest).

JEAN ARP, Collage Arranged According to the Laws of Chance, 1916–1917. Torn and pasted paper, 1’ 7 1/8” x 1’ 1 5/8”. Museum of Modern Art, New York

HANNAH HÖCH, Cut with the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany, 1919–1920. Photomontage, 3’ 9” x 2’ 11 1/2”. Neue Nationalgalerie, Staatliche Museen, Berlin.

MARCEL DUCHAMP, Fountain, (second version), 1950 (original version produced 1917). Ready-made glazed sanitary china with black paint, 12” high. Philadelphia Museum of Art, Philadelphia (purchased with proceeds from the sale of deaccessioned works of art).

MARCEL DUCHAMP, The Bride Stripped Bare by Her Bachelors, Even (The Large Glass), 1915-23. Oil, lead, wire, foil, dust, and varnish on glass, 9’ 1 1/2” x 5’ 9 1/8”. Philadelphia Museum of Art, Philadelphia (Katherine S. Dreier Bequest).

Installation photo of the Armory Show, New York National Guard’s 69th Regiment, New York, 1913. Courtesy of the Museum of Modern Art, New York.

MARCEL DUCHAMP, Nude Descending a Staircase, No. 2, 1912. Oil on canvas, approx. 4’ 10 “x 2’ 11”. Philadelphia Museum of Art, Philadelphia (Louise and Walter Arensberg Collection).

GIORGIO DE CHIRICO, Melancholy and Mystery of a Street, 1914. Oil on canvas, 2’ 10 1/4” x 2’ 4 1/2”. Private collection.

MAX ERNST, Two Children Are Threatened by a Nightingale, 1924. Oil on wood with wood construction, 2’ 3 1/2” high, 1’ 10 1/2” wide, 4 1/2” deep. Museum of Modern Art, New York (purchase).

SALVADOR DALÍ, The Persistence of Memory, 1931. Oil on canvas, 9 1/2” x 1’ 1”. Museum of Modern Art, New York (given anonymously).

RENÉ MAGRITTE, The Treachery (or Perfidy) of Images, 1928–1929. Oil on canvas, 1’ 11 5/8” x 3’ 1”. Los Angeles County Museum of Art, Los Angeles (purchased with funds provided by the Mr. and Mrs. William Preston Harrison Collection).

MERET OPPENHEIM, Object (Le Déjeuner en fourrure), 1936. Fur-covered cup, 4 3/8” in diameter; saucer, 9 3/8” in diameter; spoon, 8”. Museum of Modern Art, New York (purchase).

FRIDA KAHLO, The Two Fridas, 1939. Oil on canvas, 5’ 7” x 5’ 7”. Collection of the Museo de Arte Moderno, Mexico City.

Joan Miro, Dutch Interior (I) 1928, Oil on canvas, 36 1/8 x 28 3/4”. The Museum of Modern Art, New York.

JOAN MIRÓ, Painting, 1933. 5’ 8” x 6’ 5”. Museum of Modern Art, New York (Loula D. Lasker Bequest by exchange).

PAUL KLEE, Twittering Machine, 1922. Watercolor and pen and ink, on oil transfer drawing on paper, mounted on cardboard, 2’ 1” x 1’ 7”. Museum of Modern Art, New York (purchase).

MAN RAY, Cadeau (Gift), ca. 1958 (replica of 1921 original). Painted flatiron with row of 13 tacks with heads glued to the bottom, 6 1/8” high, 3 5/8” wide, 4 1/2” deep. Museum of Modern Art, New York (James Thrall Soby Fund).

MARSDEN HARTLEY, Portrait of a German Officer, 1914. Oil on canvas, 5' 8 1/4” x 3' 5 3/8”. The Metropolitan Museum of Art, New York (Alfred Stieglitz Collection).

STUART DAVIS, Lucky Strike, 1921. Oil on canvas, 2’ 9 1/4” x 1’ 6”. Museum of Modern Art, New York (gift of The American Tobacco Company, Inc.). Copyright © Estate of Stuart Davis/Licensed by VAGA, New York, NY.

Stuart Davis, Swing Landscape, 1938, oil on canvas, Indiana University Art Museum

Romare Bearden, Prevalence of Ritual: Tidings, 1964 photostat on fiberboard, Edition 1/6 Estate of Romare Bearden, courtesy of Romare Bearden Foundation, New York (c) Romare Bearden Foundation/Licensed by VAGA, New York, N.Y.

Jacob Lawrence, During the World War There Was a Great Migration North by Southern Negroes, panel 1 from The Migration of the Negro, 1940-41, Phillips Collection, Washington DC

KAZIMIR MALEVICH, Suprematist Composition: Airplane Flying, 1915 (dated 1914). Oil on canvas, 1’ 10 7/8” x 1’ 7”. Museum of Modern Art, New York (purchase).

Kazimir Malevich, Suprematist Composition: White on White, 1918, oil on canvas, The Museum of Modern Art

Photograph of Vladimir Tatlin with Monument to the Third International, 1919–1920. Annenberg School for Communication, University of Southern California, Los Angeles.

NAUM GABO, Column, ca. 1923 (reconstructed 1937). Perspex, wood, metal, glass, 3’ 5” x 2’ 5” x 2’ 5”. Solomon R. Guggenheim Museum, New York.

PIET MONDRIAN, Composition in Red, Blue, and Yellow, 1930. Oil on canvas, 2’ 4 5/8” x 1’ 9 1/4”. Private Collection.

Piet Mondrian, Broadway Boogie Woogie, 1942-43, oil on canvas, 50 x 50”, The Museum of Modern Art.

GERRIT THOMAS RIETVELD, Schröder House, Utrecht, the Netherlands, 1924.An example of the “International Style.”

Cass Gillbert, Woolworth Building, New York, 1911-13.Gothic detailing, above.

WILLIAM VAN ALEN, Chrysler Building, New York, New York, 1928–1930. Spire of stainless steel, overall height 1,048’. Art deco style.

Shreve, Lamb and Harmon, Empire State Building, 1931, low-key Art Deco style.

Reinhard & Hoffmeister; Corbett, Harrison & MacMurryy, Hood & Fouilhoux, Rockefeller Center, New York, 1931-39

FRANK LLOYD WRIGHT, Robie House, Chicago, Illinois, 1907–1909.

FRANK LLOYD WRIGHT, plan of the Robie House, Chicago, Illinois, 1907–1909. Prairie Style.

FRANK LLOYD WRIGHT, Kaufmann House (Fallingwater), Bear Run, Pennsylvania, 1936–1939.

Frank Lloyd Wright, Guggenheim Museum, New York, 1956-59

LÁSZLÓ MOHOLY-NAGY, From the Radio Tower Berlin, 1928. Gelatin silver print. The Art Institute of Chicago, Chicago.

JOSEF ALBERS, Homage to the Square: “Ascending”, 1953. Oil on composition board, 3’ 7 1/2” x 3’ 7 1/2”. Collection of Whitney Museum of American Art, New York

WALTER GROPIUS, Shop Block, the Bauhaus, Dessau, Germany, 1925–1926.

MARCEL BREUER, tubular chair, 1925.

LUDWIG MIES VAN DER ROHE, model for a glass skyscraper, Berlin, Germany, 1922 (no longer extant).

LE CORBUSIER, perspective drawing for Domino House project, Marseilles, France, 1914.

LE CORBUSIER, Villa Savoye, Poissy-sur-Seine, France, 1929.

Le Corbusier, Ronchamp, France, 1955

Fernand Léger, Le Grand Déjeuner (the Large Luncheon), 1921, oil on canvas, Museum of Modern Art, New York

BARBARA HEPWORTH, Oval Sculpture (No. 2), 1943. Plaster cast, 11 1/4” x 16 1/4” x 10”. Tate Gallery, London.

HENRY MOORE, Reclining Figure, 1939. Elm wood, 3’ 1” x 6’ 7” x 2’ 6”. Detroit Institute of Arts, Detroit (Founders Society purchase with funds from the Dexter M. Ferry, Jr. Trustee Corporation).

ALEXANDER CALDER, Untitled, 1976. Aluminum honeycomb, tubing, and paint, 29’ 10 1/2” x 76’. National Gallery of Art, Washington, D.C. (Gift of the Collectors Committee).

CHARLES DEMUTH, My Egypt, 1927. Oil on composition board, 2’ 11 3/4” x 2’ 6”. Collection of Whitney Museum of American Art, New York

Charles Sheeler. (American, 1883-1965). American Landscape. 1930. Oil on canvas, 24 x 31" (61 x 78.8 cm). Gift of Abby Aldrich Rockefeller

GEORGIA O’KEEFFE, New York, Night, 1929. Oil on canvas, 3’ 4 1/8” x 1’ 7 1/8”. Sheldon Memorial Art Gallery, Lincoln, Nebraska

DOROTHEA LANGE, Migrant Mother, Nipomo Valley, 1935. Gelatin silver print.

GRANT WOOD, American Gothic, 1930. Oil on beaverboard, 2’ 5 7/8” x 2’ 7/8”. Art Institute of Chicago, Chicago

EDWARD HOPPER, Nighthawks, 1942. Oil on canvas, 2’ 6” x 4’ 8 11/16”. The Art Institute of Chicago, Chicago

THOMAS HART BENTON, Pioneer Days and Early Settlers, State Capitol, Jefferson City, 1936. Mural.

JOSÉ CLEMENTE OROZCO, Epic of American Civilization: Hispano-America (panel 16), Baker Memorial Library, Dartmouth College, Hanover, ca. 1932–1934. Fresco.

PABLO PICASSO, Guernica, 1937. Oil on canvas, 11’ 5 1/2” x 25’ 5 3/4”. Museo Nacional Centro de Arte Reina Sofia, Madrid.