AP Art History Slide Identification List
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Slide # |
Late 19th c. European and American Art |
Architectural Revivals in the 19th c. |
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| Late 19th 1 | Benjamin Henry Latrobe, designer; Giuseppe Franzoni, sculptor Corn Capital Vestibule to Supreme Court, 1809 Copyprint Architect of Capitol |
| Late 19th 2 | JOHN NASH, Royal Pavilion, Brighton, England, 1815–1818. |
| Late 19th 3 | CHARLES BARRY and A. W. N. PUGIN, Houses of Parliament, London, England, designed 1836-60. |
| Late 19th 4 | JOSEPH PAXTON, Crystal Palace, London, England, 1850–1851. Photo from Victoria and Albert Museum, London. |
| Late 19th 5 | HENRI LABROUSTE, reading room of the Bibliothèque Sainte-Geneviève, Paris, France, 1843–1850. |
| Late 19th 6 | J. L. CHARLES GARNIER, the Opéra, Paris, France, 1861–1874. |
| Late 19th 7 | John Augustus Roebling, Brooklyn Bridge, 1869 to 1883. Right: Photo dated 1896 |
| Early Photography | |
| Late 19th 8 | LOUIS-JACQUES-MANDÉ DAGUERRE, Still Life in Studio, 1837. Daguerreotype. Collection Société Française de Photographie, Paris. |
| Late 19th 9 | WILLIAM HENRY FOX TALBOT, The Open Door, 1843. Salt-paper print from a calotype negative. Science Museum, London. |
| Late 19th 10 | JOSIAH JOHNSON HAWES and ALBERT SANDS SOUTHWORTH, Early Operation under Ether, Massachusetts General Hospital, ca. 1847. Daguerreotype. Massachusetts General Hospital Archives and Special Collections, Boston. |
| Late 19th 11 | HONORÉ DAUMIER, Nadar Raising Photography to the Height of Art, 1862. Lithograph, 10 3/4” x 8 3/4”. Museum of Fine Arts, Boston. |
| Late 19th 12 | HONORÉ DAUMIER, Nadar Raising Photography to the Height of Art, 1862. Lithograph, 10 3/4” x 8 3/4”. Museum of Fine Arts, Boston. |
| Late 19th 13 | Nadar (Gaspard-Félix Tournachon). Portrait of Charles Baudelaire. 1863. Silver print. Caisse Nationale des Monuments Historiques et des Sites, Paris. |
| Late 19th 14 | Julia Margaret Cameron,
about 1870
Albumen print
. 14 7/16 x 10 3/16 in The Getty Museum, California. |
| Late 19th 15 | JULIA MARGARET CAMERON, Ophelia, Study no. 2, 1867. Albumen print, 1' 11" x 10 2/3". George Eastman House, Rochester, New York. Gift of Eastman Kodak Company: ex-collection Gabriel Cromer |
| Late 19th 16 | ADOLPHE-WILLIAM BOUGUEREAU, Nymphs and Satyr, 1873. Oil on canvas, approx. 8’ 6” high. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts. |
| Late 19th 17 | Alexandre Cabanel. The Birth of Venus, 1875. Oil on canvas; 41 3/4 x 71 7/8 in. The Metropolitan Museum of Art. |
| Late 19th 18 | Jean-Baptiste Carpeaux. The Dance, 1869. From the Opéra. Echaillon stone group. Musée d'Orsay |
| Late 19th 19 | Jean-Baptiste-Camille corot, First Leaves, Near Mantes. C. 1855. Oil on canvas. 13 3/8 x 18 1/8”. The Carnegie Museum of art, Pittsburgh. |
| Late 19th 20 | JEAN-FRANÇOIS MILLET, The Gleaners, 1857. Oil on canvas, approx. 2’ 9” x 3’ 8”. Louvre, Paris. |
| Late 19th 21 | GUSTAVE COURBET, The Stone Breakers, 1849. Oil on canvas, 5’ 3” x 8’ 6”. Formerly at Gemäldegalerie, Dresden (destroyed in 1945). |
| Late 19th 22 | GUSTAVE COURBET, Burial at Ornans, 1849. Oil on canvas, approx. 10’ x 22’. Louvre, Paris. |
| Late 19th 22a | Gustave Courbet, The Painter’s Studio: A Real Allegory Summing Up Seven Years of My Life as an artist, 1855, oil on canvas, 11’ 10 1/2” x 19’ 7 1/2”, Musée d’Orsay, Paris. |
| Late 19th 23 | HONORÉ DAUMIER, Rue Transnonain, 1834. Lithograph, approx. 1’ x 1’ 5 1/2”. Philadelphia Museum of Art, Philadelphia (bequest of Fiske and Marie Kimball). |
| Late 19th 24 | HONORÉ DAUMIER, The Third-Class Carriage, ca. 1862. Oil on canvas, 2’ 1 3/4” x 2’ 11 1/2”. Metropolitan Museum of Art, New York (H. O. Havemeyer Collection, bequest of Mrs. H. O. Havemeyer, 1929). |
| Late 19th 25 | WILLIAM LEIBL, Three Women in a Village Church, 1878-1881. Oil on canvas, approx. 2’ 5” x 2’ 1”. Kunsthalle, Hamburg. |
| Late 19th 26 | Ilya Repin, Bargehaulers on the Volga, 1870-73. Oil on canvas. 4’3 3/4” x 9’3”. State Russian Museum, St. Petersburg. |
| 19th Century Art in Great Britain Including the PreRaphaelite Brotherhood |
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| Late 19th 27 | William Holman Hunt, The Hireling Shepherd, 1851. Oil on canvas. 30 1/8 x 43 1/8”. Manchester City Art Gallery, England. |
| Late 19th 28 | Dante Gabriel Rossetti, La Pia de’ Tolommei, 1868-69. Oil on canvas. 41 1/2 x 47 1/2”. Spencer Art Museum, University of Kansas, Lawrence. |
| Late 19th 29 | DANTE GABRIEL ROSSETTI, Beata Beatrix, ca. 1863. Oil on canvas, 2’ 10” x 2’ 2”. Tate Gallery, London. |
| Late 19th 30 | JOHN EVERETT MILLAIS, Ophelia, 1852. Oil on canvas, 2’ 6” x 3’ 8”. Tate Gallery, London. |
| French Impressionism | |
| Late 19th 31 | ÉDOUARD MANET, Le Déjeuner sur l’herbe (Luncheon on the Grass), 1863. Oil on canvas, approx. 7’ x 8’ 10”. Musée d’Orsay, Paris. |
| Late 19th 32 | ÉDOUARD MANET, Olympia, 1863. Oil on canvas, 4’ 3” x 6’ 3”. Musée d’Orsay, Paris. |
| Late 19th 33 | ÉDOUARD MANET, A Bar at the Folies-Bergère, 1882. Oil on canvas, approx. 3’ 1” x 4’ 3”. Courtauld Institute of Art Gallery, London. |
| Late 19th 34 | Edouard Manet, The Dead Christ and the Angels, 1864, Oil on canvas; 70 5/8 x 59 in., Metropolitan Museum of Art. |
| Late 19th 35 | ÉDOUARD MANET, A Bar at the Folies-Bergère, 1882. Oil on canvas, approx. 3’ 1” x 4’ 3”. Courtauld Institute of Art Gallery, London. |
| Late 19th 36 | CLAUDE MONET, Impression: Sunrise, 1872. Oil on canvas, 1’ 7 1/2” x 2’ 1 1/2”. Musée Marmottan, Paris. |
| Late 19th 37 | CLAUDE MONET, Saint-Lazare Train Station, 1877. Oil on canvas, 2’ 5 3/4” x 3’ 5”. Musée d’Orsay, Paris. |
| Late 19th 38 | CLAUDE MONET, Rouen Cathedral: The Portal (in Sun), 1894. Oil on canvas, 3’ 3 1/4” x 2’ 1 7/8”. Metropolitan Museum of Art, New York (Theodore M. Davis Collection, bequest of Theodore M. Davis, 1915). |
| Late 19th 39 | Camille Pissarro, Farm at Montfoucault, Snow Effect, oil on canvas, 54 x 65 cm, 1876, the Ashmolean Museum, Oxford. |
| Late 19th 40 | CAMILLE PISSARRO, La Place du Théâtre Français, 1898. Oil on canvas, 2’ 4 1/2” x 3’ 1/2”. Los Angeles County Museum of Art, Los Angeles (the Mr. and Mrs. George Gard De Sylva Collection). |
| Late 19th 41 | PIERRE-AUGUSTE RENOIR, Le Moulin de la Galette, 1876. Oil on canvas, approx. 4’ 3” x 5’ 8”. Louvre, Paris. |
| Late 19th 42 | EDGAR DEGAS, Ballet Rehearsal, 1874. Oil on canvas, 1’ 11” x 2’ 9”. Glasgow Museum, Glasgow |
| Late 19th 43 | EDGAR DEGAS, The Tub, 1886. Pastel, 1’ 11 1/2” x 2’ 8 3/8”. Musée d’Orsay, Paris. |
| Late 19th 44 | Mary Cassatt. Woman in a Loge, 1879. Oil on canvas, 31 5/8 x 23”, Philadelphia Museum of Art. |
| Late 19th 45 | MARY CASSATT, The Bath, ca. 1892. Oil on canvas, 3’ 3” x 2’ 2”. The Art Institute of Chicago, Chicago (Robert A. Walker Fund). |
| Late 19th 46 | BERTHE MORISOT, Villa at the Seaside, 1874. Oil on canvas, approx. 1’ 7 3/4” x 2’ 1/8". Norton Simon Art Foundation, Los Angeles. |
| Post Impressionism | |
| Late 19th 47 | PAUL CÉZANNE, Mont Sainte-Victoire, 1902–1904. Oil on canvas, 2’ 3 1/2” x 2’ 11 1/4”. Philadelphia Museum of Art, Philadelphia (The George W. Elkins Collection). |
| Late 19th 48 | PAUL CÉZANNE, Still Life with Fruit Dish, 1879-80, oil on canvas, The Museum of Modern Art, New York |
| Late 19th 49 | GEORGES SEURAT, A Sunday on La Grande Jatte, 1884–1886. Oil on canvas, approx. 6’ 9” ´ 10’. The Art Institute of Chicago, Chicago (Helen Birch Bartlett Memorial Collection, 1926). |
| Late 19th 50 | VINCENT VAN GOGH, The Night Café, 1888. Oil on canvas, approx. 2’ 4 1/2” x 3’. Yale University Art Gallery, New Haven (bequest of Stephen Carlton Clark, B.A., 1903). |
| Late 19th 51 | VINCENT VAN GOGH, Starry Night, 1889. Oil on canvas, approx. 2’ 5” x 3’ 1/4”. Museum of Modern Art, New York (acquired through the Lillie P. Bliss Bequest). |
| Late 19th 52 | Vincent van Gogh. Portrait of Joseph Roulin. Arles, early 1889. Oil on canvas, 25 3/8 x 21 3/4" The Museum of Modern Art, New York |
| Late 19th 53 | PAUL GAUGUIN, The Vision after the Sermon or Jacob Wrestling with the Angel, 1888. Oil on canvas, 2’ 4 3/4” x 3’ 1/2”. National Gallery of Scotland, Edinburgh. |
| Late 19th 54 | PAUL GAUGUIN, Where Do We Come From? What Are We? Where Are We Going?, 1897. Oil on canvas, 4’ 6 13/ 16” x 12’ 3”. Museum of Fine Arts, Boston (Tompkins Collection). |
| Symbolism | |
| Late 19th 55 | ODILON REDON, The Cyclops, 1898. Oil on canvas, 2’ 1” x 1’ 8”. Kröller-Müller Museum, Otterlo, The Netherlands. |
| Late 19th 56 | HENRI ROUSSEAU, The Sleeping Gypsy, 1897. Oil on canvas, 4’ 3” x 6’ 7”. Museum of Modern Art, New York. |
| Late 19th 57 | EDVARD MUNCH, The Scream 1893. Tempera, pastel, and casein on cardboard, 2’ 11 3/4” x 2’ 5”. National Gallery, Oslo. |
| Late 19th Century Sculpture and Architecture in Europe | |
| Late 19th 58 | AUGUSTE RODIN, Burghers of Calais, 1884–1889, cast ca. 1953–1959. Bronze, 6’ 10 1/2” high, 7’ 11” long, 6’ 6” deep. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington (gift of Joseph H. Hirshhorn, 1966). |
| Late 19th 59 | Auguste Rodin. Monument to Balzac. 1898 (cast 1954). Bronze, 9' 3" x 48 1/4" x 41" Presented in memory of Curt Valentin by his friends. |
| Late 19th 60 | Camille Claudel, The Waltz, 1893. Bronze. Poitiers, Musée Sainte-Croix. |
| Late 19th 61 | ALEXANDRE-GUSTAVE EIFFEL, Eiffel Tower, Paris, 1889 (photo: 1889–1890). Wrought iron, 984’ high. |
| Late 19th 62 | ALBERT BIERSTADT, Among the Sierra Nevada Mountains, California, 1868. Oil on canvas, 6’ x 10’. National Museum of American Art, Smithsonian Institution, Washington. |
| Late 19th 63 | Augustus Saint-Gaudens, The Robert Gould Shaw Memorial, 1884-96, Bronze. 11x14’, Boston Common, Boston, Mass. |
| Late 19th 64 | WINSLOW HOMER, The Veteran in a New Field, 1865. Oil on canvas, 2’ 1/8” x 3’ 2 1/8”. Metropolitan Museum of Art, New York (bequest of Miss Adelaide Milton de Groot, 1967). |
| Late 19th 65 | Winslow Homer, The Life Line, 1884. Oil on canvas, 28 3/4 x 44 5/8” Philadelphia Museum of Art |
| Late 19th 66 | THOMAS EAKINS, The Gross Clinic, 1875. Oil on canvas, 8’ x 6’ 6”. Jefferson Medical College of Thomas Jefferson University, Philadelphia. |
| Late 19th 67 | EADWEARD MUYBRIDGE, Horse Galloping, 1878. Collotype print. George Eastman House, Rochester, New York. |
| Late 19th 68 | HENRY HOBSON RICHARDSON, Marshall Field wholesale store (demolished), Chicago, 1885–1887. |
| Late 19th 69 | Louis Sullivan, Wainwright Building, St. Louis, Missouri, 1890-91. |
